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Ross’s main guitar is a Dean® USA-made Rusty Cooley RC7G 7-string signature. This guitar is usually tuned one half step down. It has an alder body and an ultra-thin maple neck with tall frets for ultra-fast movements up and down the neck. It uses all black hardware, a low-profile locking bridge, and two active EMG® 707 pickups.









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Ross’s 8-string guitar is an Agile® Intrepid 828 Oceanburst. It has an ash body, a bolt on maple neck, and a maple fretboard. It is tuned EBEADGBE.












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Ross’s Conklin® Groove Tools 7-string has been upgraded by adding DiMarzio® pickups (LiquiFire-7 at the neck and Crunch Lab-7 at the bridge) and all new electronics with a single volume control. It has a string-through body design, 5-piece maple/purple heart neck, and a fixed hard tail bridge.











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Ross’s main 6-string guitar is a Jackson® neck-through Randy Rhoads RR5FR. It uses an alder body with a rock maple neck-through design. The pickups are Seymour Duncan® JB (bridge) and Jazz (neck). It incorporates a Floyd Rose® tremolo and all black hardware.











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Ross’s Dean® Avalanche 7-string has been upgraded by adding two Seymour Duncan® Blackouts (AHB-1 Phase 1) and all new electronics with a single volume control. It has a string-through basswood body, maple neck, rosewood fingerboard, and a tune-o-matic bridge.












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Ross heavily modified this Les Paul® by stripping off the original paint and carving a much deeper cut-a-way in the body to give him better reach of the higher frets. To improve its tone, he eliminated all the electronics except for one single on/off switch and installed ESP® LH-301 passive pickups. Ross filled all the holes and painted the very cool black-and-white paint scheme that he designed.










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Ross’s acoustic is an Epiphone® AJ 100 in natural finish that uses mahogany body materials with a select spruce top. It has a mahogany set neck, a rosewood fingerboard and chrome hardware. Although Ross doesn’t use this guitar often, it comes in handy sometimes.










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Ross’s amp is a customized Peavey® 6505+ with JJ 6L6GCs in the power section and JJ 12AX7 Golds in the preamp. It has two channels, clean and distortion, and a great tone through his stock Marshall® 1960A speaker cabinet. Ross’s rack includes a Line6® X2 digital UHF wireless system, a Furman M-8DX power conditioner and a Rocktron® Hush Pro to keep his rig quiet. He sometimes uses a Fender® M-80 preamp (circa 1985-1990) for tone shaping and extra EQ. His rack also incorporates an M-Audio Pre and a laptop for recording. Ross’s home-built pedal board contains an Ibanez® Paul Gilbert AF2 Airplane flanger, a Dunlop® MXR Carbon Copy delay, a Korg® Pitchblack tuner, a Morley® George Lynch wah pedal, and the Peavey remote switch for his amp. Everything gets power through a 1Spot®.

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